Well, this seems like as good a time as any to return to the mundane and self-aggrandizing world of my blog. I suspect of these “I’m sorry, I’m bad, I’ll try to do better” entries outnumber the more legitimate daily motions type that were the blog’s purported purpose. So, no promises. well, no elaborate promises, I will try to blog at least twice a week from now on, so watch out Mondays and Thursdays. Yes I know today is Friday but committing to Friday seems like a guarantee of failure.
Anyway it’s been about a month and here are the plays I remember reading:
1. Travesties by Tom Stoppard
2. Happy Days by Samuel Beckett
3. Krapp’s Last Tape by Samuel Beckett
4. Some other short later plays by Beckett
5. No. 11 (Blue and White) by Alexandra Cunningham
6. Anton in Show Business by Jane Martin
7. Back Story A dramatic anthology by a whole slew of writers
8. The Divine Fallacy Tina Howe
9. Standard Time Naomi Wallace
10. The Phone Plays 2000
11. Flaming Guns of the Purple Sage by Jane Martin
12. The Phone Plays 2001
I also applied to several internships and solicited letters of recommendation from teachers for some others. I have an interview with Ensemble Studio Theatre next week and one with Lark Play Development Center for the following week ( I shamelessly name dropped one of my friends on that one).
I saw a truly dreadful play yesterday. I knew I would hate it, but the tickets were so free, and I was told that the tech and the performances would be really good, and it was an opportunity to see my friends, so I went. The actual technology was impressive but it was only really artfully used twice in the two and a half hour production. The actors were probably talented, but the script was so bad that there was no way to be sure they could act, and the sound system was so loud and the music so laden with over-embellishment that they were constantly blowing their mikes and there was no way to be sure that they could sing. The costuming was impressive, except for the occasional moments of improperly secured boob (no emergencies but a couple close calls) which were very obvious from the upper mezzanine. At this point I feel obligated to inform you that the show was Dream Girls, the friend who lured me there with free tickets only to abandon me was Aryana (she works at the Apollo), and the friend who suffered by my side was Amanda. I also feel the need to mention that we go caught in the tide of people leaving the theatre and were forced to spend twenty minutes wandering Harlem in search of a bathroom before taking the the train to Grand Central for relief. After we parted I was so sleepy and the A train was so messed up that it took me over two hours to get home. I was not happy, but it’s better that I got out... I guess.