I missed yesterday but I’ve been reading at truly alarming rate so I have lots and lots of Stoppard to talk about.
I really liked The Real Inspector Hound: the play features two theater critics occupying seating block which mirrors the actual audience, and watching a truly awful murder mystery farce. The critics’ hushed discourse on the one’s professional rivalries and the other’s dalliances with ingenues weave into the play they’re watching until they are dragged into the story themselves. it’s really good.
After Marguerite was almost but not quite as good. It was a comedy about a couple and one of their (they were not in agreement as to whose) mother preparing to go out and being questioned by the police in their very odd living room. Like Hound it demonstrated Stoppard’s talent for farce, linguistic play and the accumulation of circumstances.
Dirty Linen was centered on a cabinet meeting at British Parliament about the improper sexual intrigues of MPs as reported by local papers. Nearly every person at the meeting had slept with the clerk. I didn’t really like it. It was kind of tedious, the language and characters of parliament were broadly drawn and didn’t seem to be as familiar to Stoppard as those of the theatre (for obvious reasons).
New-Found-Land was kind of unbearable.
So far I love Dogg’s Hamlet but I’m less than half way through it so I’ll reserve judgement.
Also, I have a job interview tomorrow for the personal assistant job I applied for on Tuesday.